Entry № 041-11 / V-1076 · 0:00 synced

Sony made a weird choice for a reason! - FX-3

ShortCircuit@ShortCircuit223.1K viewsMar 25, 202113:53
Source
YT
Views
223.1K
Subscribers
2.5M
Critic
?
Audience
?

0 up · 0 down · 0 ratings

Promos

Sign up for Private Internet Access VPN at privateinternetaccess.com... Sony releases the FX-3 cinema camera, and it's very similar to the A7s III... so, who did they make this for? Buy the Sony FX-3 On BHPhoto (PAID LINK): geni.us Buy the Sony A7s III on BHPhoto (PAID LINK): geni.us Purchases made through some store links may provide some compensation to Linus Media Group. Purchases made through some store links may provide some compensation to Linus Media Group. ►GET MERCH: lttstore.com ►SUPPORT US ON FLOATPLANE: floatplane.com ►LTX EXPO: ltxexpo.com AFFILIATES & REFERRALS --------------------------------------------------- ►Affiliates, Sponsors & Referrals: lmg.gg ►Private Internet Access VPN: lmg.gg ►Our Official Charging Partner Anker: lmg.gg ►MK Keyboards: lmg.gg ►Nerd or Die Stream Overlays: lmg.gg ►NEEDforSEAT Gaming Chairs: lmg.gg ►Displate Metal Prints: lmg.gg ►Epic Games Store (LINUSMEDIAGROUP): lmg.gg ►Official Game Store: nexus.gg ►Amazon Prime: lmg.gg ►Audible Free Trial: lmg.gg ►Our Gear on Amazon: geni.us FOLLOW US ELSEWHERE --------------------------------------------------- Twitter: twitter.com Instagram: @shortcircuityt Facebook: @ShortCircuitYT FOLLOW OUR OTHER CHANNELS --------------------------------------------------- Linus Tech Tips: lmg.gg TechLinked: lmg.gg Techquickie: lmg.gg LMG Clips: lmg.gg Channel Super Fun: lmg.gg Carpool Critics: lmg.gg

Start
AI OverviewDefault language

Sony released another camera in rapid succession, this time the FX3, which the host frames as the entry point into Sony’s cinema lineup. The video opens with a hands-on unboxing vibe, noting the camera’s heft and the included items such as the top handle, a shotgun mic, and the kit lens, while also calling out what does not come in the box. The host compares the FX3 to the A7S III, emphasizing that while the FX3 is built as a more video-oriented, cage-friendly option, it shares many core capabilities with its sibling. He highlights the FX3’s physical tweaks, such as a more forward grip design and newly placed quarter 20 mounting points across the body, which reduce the need for a full cage for light, on-the-go shooting. The discussion also covers weight differences, with the FX3 reportedly lighter than an A7S III even when the latter is paired with a tripod plate and an audio module, which translates to a more portable system for run-and-gun work. Throughout the segment the host notes the camera’s cinema-oriented controls, the lack of a traditional EVF, the new zoom rocker on the top, and the weather sealing that makes the FX3 a practical choice for field production. Finally, he positions the FX3 as a compelling entry into Sony’s cinema family for shooters who want a compact, ready-to-shoot kit with minimal setup time, while acknowledging some trade-offs like the absence of shutter angle and the potential need for a cage depending on the user's workflow.

Topics · technology · cinema cameras · video production · gear reviews

Questions answered

Who is the Sony FX3 primarily aimed at, based on the review?
The FX3 is positioned as an entry point into Sony's cinema lineup for videographers who want a compact, ready-to-shoot system with strong field usability, including features like a built-in fan and weather sealing, while still offering professional controls and the option to cage it for more accessories.
What are the main physical differences highlighted between the FX3 and the A7S III?
Key differences include a forward-leaning grip on the FX3, a new zoom rocker on the top, a different control layout without a traditional dial, a front record button, a taller, more video-focused control scheme, and additional mounting points that reduce the need for a cage.
Does the FX3 include a shutter angle feature like some cinema cameras?
No, the FX3 does not include shutter angle, and the reviewer notes this as a drawback for cinema workflows requiring seamless frame-rate changes without adjusting shutter settings.