Have we gone MAD?? - We bought a bunch of Blackmagic Ursa Mini Pro 12Ks
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Check out ORIGIN PC gaming laptops and desktops today at bit.ly It's been a few years since we started filming in 8K. But now, the Blackmagic Ursa Mini Pro 12K is out. Can we make 12K videos? Buy Blackmagic Ursa Mini Pro 12K On Amazon (PAID LINK): geni.us On Newegg (PAID LINK): geni.us On B&H (PAID LINK): geni.us Purchases made through some store links may provide some compensation to Linus Media Group. Discuss on the forum: linustechtips.com ►GET MERCH: lttstore.com ►SUPPORT US ON FLOATPLANE: floatplane.com ►LTX EXPO: ltxexpo.com AFFILIATES & REFERRALS --------------------------------------------------- ►Affiliates, Sponsors & Referrals: lmg.gg ►Private Internet Access VPN: lmg.gg ►Our Official Charging Partner Anker: lmg.gg ►MK Keyboards: lmg.gg ►Nerd or Die Stream Overlays: lmg.gg ►NEEDforSEAT Gaming Chairs: lmg.gg ►Displate Metal Prints: lmg.gg ►Official Game Store: nexus.gg ►Epic Games Store (LINUSMEDIAGROUP): lmg.gg ►Amazon Prime: lmg.gg ►Audible Free Trial: lmg.gg ►Streamlabs Prime: geni.us ►Our Gear on Amazon: geni.us FOLLOW US ELSEWHERE --------------------------------------------------- Twitter: twitter.com Facebook: @LinusTech Instagram: @linustech Twitch: twitch.tv FOLLOW OUR OTHER CHANNELS --------------------------------------------------- Techquickie: lmg.gg TechLinked: lmg.gg ShortCircuit: lmg.gg LMG Clips: lmg.gg Channel Super Fun: lmg.gg Carpool Critics: lmg.gg MUSIC CREDIT --------------------------------------------------- Title: Laszlo - Supernova Video Link: youtube.com iTunes Download Link: itunes.apple.com Artist Link: soundcloud.com Outro Screen Music Credit: Approaching Nirvana - Sugar High youtube.com Monitor And Keyboard by vadimmihalkevich / CC BY 4.0 geni.us Mechanical RGB Keyboard by BigBrotherECE / CC BY 4.0 geni.us Mouse Gamer free Model By Oscar Creativo / CC BY 4.0 geni.us
The video opens with Linus addressing the idea that 12K video is not a mainstream concern for most viewers, then lays out the core motivation: capturing more detail, aiding post production, and providing flexibility to reframe shots. The team explains why they pursued six URSA Mini Pro 12Ks despite expectations of limited display support, highlighting their past experience with 8K and a belief that higher resolution can improve the final output and the editor's options. They describe their hardware setup and initial performance assumptions, noting that their Ryzen Threadripper, 128 GB RAM, and multiple RTX GPUs seemed sufficient for 12K editing at a reduced timeline resolution. They also acknowledge the early adopter challenges, including bugs in the camera and software, and the reality that full 12K workflows require navigating proprietary BRAW, which introduces additional pipeline constraints and decisions about ingest and render strategies. The segment then shifts to a deep dive on the software ecosystem, contrasting Blackmagic’s native workflows with third party alternatives. They explain that BRAW, while offering post capture metadata flexibility, is tightly tied to Blackmagic software and hardware, and that on Windows Premiere playback and editing becomes fraught with performance and stability issues, requiring workarounds. They finish by outlining practical paths forward: using the Autokroma BRAW Studio plugin for more stable editing in Premiere, leveraging an adjustment-layer workflow to mitigate color grading performance, and contemplating a continued wait for Blackmagic to fix ongoing bugs while also considering hardware upgrades to meet VRAM requirements. The video closes with a candid reflection on the ecosystem, the cost of sticking to one vendor, and a practical stance that 12K may not become a universal standard overnight, but that incremental workflow improvements could make it viable for future projects, including their own ShortCircuit build. In short, the team balances enthusiasm for 12K ambition with a measured assessment of current toolchain limitations and pragmatic workarounds, underscoring that practical 12K editing remains a complex, evolving challenge rather than a plug-and-play reality.
Topics · technology · video production · software · hardware · workflow · cameras · editing
Questions answered
- Why did the Linus Tech Tips team decide to shoot in 12K despite limited display support?
- They pursued 12K to capture more detail, aid post production, and provide greater editing flexibility, including easier reframing and higher final sharpness.
- What were the main editing workflow challenges with 12K using Blackmagic RAW in Premiere on Windows?
- Playback and color grading performance were problematic, with hardware acceleration dropping during color adjustments and a need to workaround with plugins and timeline scaling.
- What workaround did the team find most promising for editing 12K in Premiere?
- Using the Autokroma BRAW Studio plugin plus an adjustment-layer workflow to stabilize editing while they wait for Blackmagic to fix bugs.